Showing posts with label Scandinavia. Show all posts
Showing posts with label Scandinavia. Show all posts

Sunday, October 20, 2013

Handmade Sami Bracelet Giveaway!

When I was in Sweden this summer, I encountered some of the most beautiful traditional arts I have ever seen in those of the indigenous Sami people of Scandinavia. The Samis are known for their exquisite work with reindeer hide, reindeer antler, and silver thread, which they work into beautiful embroidered leather bracelets, such as this one:

One of the friends I made while there is Sami, and she taught me about the art of creating Sami bracelets. I gave it a shot, and with a little practice, have begun to offer them alongside the hand-bound leather journals in my Etsy shop, Badon Hill.


Here's your chance to win one of these Sami bracelets for free! The one I am giving away has a four-part braid of silver thread, embroidered onto black reindeer leather, with reindeer antler button, all sourced from Sweden and made by me. This one is about 20 cm or 8 inches long, a good size for the average woman's wrist or a smaller-ish man's wrist. The Sami bracelet is a versatile piece, which would look great both as a formal accessory, or even with a simple pair of jeans.

Here's how you can enter the drawing:

You MUST comment on this post to enter, with your name and email address so that I can contact you if you win.
THEN you can put your name in the drawing once more for doing each of the following (and telling me which you've done in your comment):
1. Follow this blog (link is to the right).
2. Like my Facebook Page.
3. Add my shop to your favorites on Etsy.
4. Follow me on twitter.
5. Share this giveaway [only once for each; don't spam!] on Instagram, Facebook, Twitter, or Pinterest. (Please tag me @badonhill if you share on Instagram or Twitter!)

THIS GIVEAWAY HAS ENDED. I'll draw and announce the winner on Wednesday or Thursday! Thanks to everyone for entering!

Sunday, August 4, 2013

Experimental Archaeology

Out of the five weeks of the Gotland Archaeological Field School, only five days remain. It is strange and wonderful to think that I have been living and working here on this gorgeous island of Gotland for a nearly a month, but at the same time, I am glad it is winding down. I've been travelling in Europe for more than seven weeks, and was travelling in the States before that, too. I've had a very busy summer - I've learned a lot, had some great experiences, and it has all been worth it so far - but very busy. I'm ready to head home for a short break before diving to the last year of my undergraduate career and finish my two degrees.


A Viking bead made of amber, found in our dig last week!
In the mean time, one of my main goals in attending this field school was to determine whether archaeology is a discipline I wish to pursue for graduate studies and a following career, or to get an idea of what other options there are if archaeology's not for me. For the last year or so, I've been trying to decide whether to pursue graduate studies in Medieval Studies, Archaeology, or something even more specific, such as Anglo-Saxon and Viking Studies. But I didn't want to end up locked into a program only to realize that it isn't really what I want to spend the rest of my life doing. Thus, I decided to dive into this field school.

After the first few weeks, I quickly realized that although I enjoy the field work involved in archaeological excavations and searching for remnants of civilizations long gone, I get much more excited about the idea of studying the artifacts uncovered - even to the extent of trying to figure out how such artifacts were originally produced, how they were used, and the ever-important question of why. While discussing this with a few fellow students, one asked if I had heard of Experimental Archaeology. I had not.

Experimental Archaeology is relatively new as its own discipline, and is the combination of archaeology with experimenting with methods of construction, metal-smithing, craftsmanship, etc. to replicate period buildings and artifacts using only tools and materials that would have been available at the time in question. This is like a dream come true for me. I knew that I loved to work with my hands, both to study artifacts and to create new ones, and that I also love the more academic side of the historical and theoretical study; I just never imagined there was an actual academic discipline that combined the two.

Some handmade beauties I've bought in Sweden
So how does that work for grad school? There are only a few universities that offer programs in Experimental Archaeology, and after some research, I really like the looks of the program at the University of Sheffield in England. I've never before found a Master's degree program in which every single course looks fascinating and exciting to me.

Does that mean I'm applying to Sheffield? Well, no.  I'm not sure that a Master's in Experimental Archaeology would be such an immense help in getting an experimental archaeology-related job, but I'm sure the degree would be great if I wanted to teach such a discipline (which I don't). There are a lot of historical sites and open-air museums practicing such experimental-historical methods around, and I'd be very, very surprised if I'll need a masters degree to get a job at one. It means that if I do decide to go for a Master's degree, I'll definitely apply to that one first. For now, I'm just happy to have finally found a degree program I can get excited about, and if it works out that I will actually study Experimental Archaeology in the future, then that's awesome. If I get a good job at a historical site or reenactment place that I can get excited about and share my passion for the past with others (while carrying out my own research and writing on the side), then that's just as awesome. :)